Must Love Dogs with Diane Lane and John Cusack
This charming comedy is like a teen romance for serial singles and newly-created divorcees. It’s about loneliness, unguarded passion, self-doubt and adult awkwardness but it’s not self-pitying in a wrist-slitting sort of way. It affirms that there are emotional support systems that we sometimes choose not to see, because we are too proud or too scared and it reminds us that there are many ways to love and some rather odd ways to be loved in return. It’s quite profound but in an hilarious way.
Director: Gary David Goldberg
Cast: Diane Lane, Elizabeth Perkins, Dermot Mulroney, John Cusack, Christopher Plummer.
(98 min, PG13)
People with a label fetish have slapped the nauseating “chick-flick” label on this charming and unexpectedly wise film. Sure, it’s mainly about women characters but it’s also about men, how they behave around women, what hang ups they have and how anxiety and confusion about love is not gender-specific. Everybody gets it wrong lots of times before we get it right and this is a film about a woman who got it wrong and is not even sure if she can ever feel right again.
The primary source of the film’s success is director Gary David Goldberg who knows a thing or two about warm, affectionate comedy. He not only created the TV sitcom hits “Spin City” and “Family Ties”, he’s been a writer on classic TV comedies like “Alice”, “Lou Grant”, “M.A.S.H” and “The Tony Randall Show”. All that accumulated writing-skill pays off in this shrewd re-working of slick but honest love story based on Claire Cook’s novel which was a best-selling hit with the book club set. The witty, classy Goldberg skill is still very much there but he is also a generous and shrewd director. When he originally approached John Cusack to act in the film, Cusack turned it down, saying that he thought the part was under-developed, but Goldberg offered him a chance to re-write his own role. Cusack took to his word-processor, fleshed out the role, made his character a little more neurotic and obsessive but also a lot funnier. Goldberg accepted the changes, Cusack took the role and he gives one of his most amusingly wry studies of a moping male divorcee who thinks “Dr Zhivago” was the most wonderful love story ever written.
Diane Lane plays Sarah, who is dealing with a divorce. She has a lovely place to live and a great job as a nursery school teacher but she’s under pressure to start dating again. Her affectionate but interfering sister Carol played with acid wit by the wonderful Elizabeth Perkins enrols her on an Internet dating site and that’s where the romantic misadventures begin. Sarah ends up with two main contenders: the dreamy-eyed Dermot Mulroney and the intense John Cusack. Most of the film is taken up with the examination of these two bumpy rides to love. But it’s also a very gentle study of family ties and friendship, especially Sarah connection to a gay couple who seem to have the only secure relationship in the film.
Diane Lane, has recently emerged as a superior actress, skilled in portraying the emotional insecurities of women heading for middle-age. This film is not as romantic and feel-good as “Under the Tuscan Sun” but it mixes smart verbal comedy and barbed home-truths about the pitfalls of marriage with the skill of a formidable cast. Everything about the film looks polished and easy. The comedy is deftly paced, the writing is sleek but instead of the superficial speed of sitcom humour, this film makes room for humanity and warmth. Goldberg is careful to ensure that the focus is not only on the Sarah and her two possible lovers. Relationships do not exist in a vacuum. We all have siblings and parents, in-laws and friends who calmly assume that our business is their business. Keeping them at bay and in check is as tough as working out what’s happening in the romance.
It’s an original idea, not by a long shot but it’s a story everyone will recognize. There’s a 1961 Debbie Reynolds movie about the same issues. It was called “The Second Time Around” and while the movie is long-forgotten, it’s theme song has found great popularity. Indeed Barbra Streisand included it in her soundtrack album released in 2004. The words are, “Love is lovelier, the second time around, much more comfortable, with both feet on the ground.” And that’s very much the mood of this movie. That particular point is made most strongly by the oldest members of the cast, Christopher Plummer and Stockard Channing, who are wonderful as a pair of older lovers, and there’s a great speech in which Plummer explains to his daughter why his new romances are in no way a betrayal of his love for his wife. It’s gracefully written and Plummer delivers it like the seasoned old pro he is. In fact, he’s great in the film, a gallant old man who has learned the difference between sex, romance and love. In one of the film’s best scenes he recites a Yeats poem at a family event and both the words and his delivery seem to say everything there is to say on the subject. It’s touches like that set this movie at a classy remove from the usual rom-com superfluity and with such a glamorous cast and such good writing the many tribulations of love have rarely looked as enticing as they do here.
Reprinted with Permission from Barry Ronge’s website Rather Ronge
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